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New film “Bounty” shifts documentary filmmaking by centering Indigenous voices

A review and interview with Adam Mazo, Dawn Neptune Adams, Maulian Dana and Carmella Bear.

“Documentary filmmakers at the Upstander Project have become deeply committed to a different way of filmmaking, according to the Boston-based nonprofit’s co-founder and director Adam Mazo. Central to that mission is overcoming indifference to social injustice by creating compelling documentary films that center the voices of those most impacted to reach the heart of social issues. The accompanying learning resources distributed alongside the film are part of a broad impact strategy that contextualizes the films for educators and general audiences while pointing them toward action-oriented campaigns for social change.”

Continue reading at The Scope Boston.

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Documentary 'Bounty' confronts colonial death warrants against Indigenous people

WBUR reviews Upstander Project’s short film Bounty and interviews filmmakers and participants about the importance of the film. “Adults often fear saying the wrong thing, or teaching the wrong thing and upsetting other parents, acknowledges co-director Adam Mazo.” That is why Upstander Project aims to educate and mobilize people against injustice.

“It may be buried history. But the atrocity of colonists’ bounty proclamations against Native American people also occupies the present. In the potent new documentary “Bounty,” members of the Penobscot Nation read one such death warrant to their family members, including their children, in order to share the truth.

The nine-minute film takes place in Boston’s Old State House, where in 1755, colonial settlers signed the declaration of a cash reward, in descending value, for the scalps of Penobscot men, women and children.”

Continue reading at WBUR.

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New England once hunted and killed humans for money. We’re descendants of the survivors

Opinion piece written by Dawn Neptune Adams, Maulian Dana with Adam Mazo for The Guardian. This piece focuses on the fact that the settlers whom many Americans mythologize at Thanksgiving as peace-loving Pilgrims issued government orders offering cash for dead Native American children.

“For more than 10,000 years, the Wabanaki peoples have been living in a region called the Dawnland. Captain John Smith rebranded the area “New England” in a map he made in 1614. He and the other colonial settlers renamed rivers and villages to claim the land for themselves and erase Native people from their homelands. But that wasn’t enough. Eventually colonial officials introduced a grisly incentive to hasten that erasure: bounties for dead Native Americans.

Yes, the settlers whom many Americans mythologize at Thanksgiving as peace-loving pilgrims were, just a generation later, issuing official government orders putting a price on the scalps of Indigenous children, women and men.”

Continue reading at The Guardian.

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New short film explores Boston's role in long, dark history of scalping Indigenous people

A review by GBH of Bounty, which “centers on the bounty system established by colonial Massachusetts to incentivize settler-colonists to exchange the scalps of Indigenous people for substantial pay. The film’s creators intend it as an experience that leaves viewers reassessing their own relationship with history.”

“History is the most fickle of the sciences. To record it objectively is an exercise in futility; to assume omniscience in the record is to be a fool. Still, the origin myths of the United States are peddled as self-evident truths, so when a group of artists and educators offer up a contribution that reassesses that record, they make it a priority to ensure as many people as possible rethink what they believe their histories to be. At least, that’s the case with the Upstander Project and their new documentary short Bounty, with a world premiere on November 10.

Bounty centers on the bounty system established by colonial Massachusetts to incentivize settler-colonists to exchange the scalps of Indigenous people for substantial pay.”

Continue reading at GBH.

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GlobeDocs 2021: Finding light in the darkness

“This year’s GlobeDocs covers a wide range of subjects and approaches, emotions and styles, even including, yes, animation.” Upstander Project’s short film Bounty is included in this stunning line up of films that look into dark subjects while also trying to bring smiles and hope.

“This year’s GlobeDocs festival inevitably includes documentaries that look into the darkness of subjects such as racism (“Attica,” “Free Renty: Lanier v. Harvard,” “Who We Are: A Chronicle of Racism in America”), environmental doom (“Becoming Cousteau”), the plight of refugees (“Flee”), sexism (“Jagged”), and COVID-19 (“The First Wave). But it also shares stories that bring smiles (”No Straight Lines: The Rise of Queer Comics,” “Paper & Glue”) and hope ( “The Rescue”).

At the Old State House, where the Declaration of Independence was first read in Boston, so was a proclamation setting bounties for the scalps of Penobscot people, in 1755. That is the subject of “Bounty,” from Dawn Neptune Adams, Maulian Dana, Adam Mazo, Ben Pender-Cudlip, and Tracy Rector.”

Continue reading at The Boston Globe.

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